When
the freestyle battleground on the blacktop is nothing but a scene
on a mixtape, Curt Smith will still be out there ballin'. And
isn't that really what it's all about?
WORDS:
BEN OSBORNE :: IMAGES: MICHAEL SCHREIBER
The
sun has set on the Berry Farms projects in Anacostia, the historic
and infamous sliver of Washington, DC, just across the river from
Capitol Hill. Most of the shorties have gone to bed, while the
sound of sirens indicate most of the hustlers have just gone to
work. As for those who make basketball their hustle, many are
heading home after a scorching day on the blacktop, but not all.
For DC hoop lifer Curt Smith, the end of a game is simply the
beginning of getting to talk about it.
"Another
rough game out there, but that's street ball, man. Ain't no complaining,"
says Smith, sipping some Remy and kicking back on the Berry Farms
bleachers. "You might've thought that was a lot of people out
here today, but usually it be jam-packed with people. I guess
not everybody was trying to sit out here in 100 degrees, but I
had to be out here. Summer basketball is my thing."
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The unique city of Washington,
DC -- not the politician-and-tourist-infested nation's capital
part, but the real DC -- is home to go-go music, the timeless
high socks look, more independent clothing companies than you
can count and a funky array of ballers worshipped by fans who
don't give a damn about their status elsewhere. Following a legacy
created years ago by guys like Elgin Baylor, Dave Bing and Ollie
Johnson, DC-area pros such as Sherman Douglas, Joe Forte, Steve
Francis, Moochie Norris and Walt Williams get props, but the true
love is given to the ones who haven't made it to TNT. And of this
crew -- a group that includes Lonnie "L Train" Harrell, Greg Jones,
Victor Page, Sheik "The Freak" Pearson and Earl "Pep" Tyson --
none get more adulation than Smith, aka "Trouble" on the court
and "Bone" off it.
"The
thing is that Curt has been killing from 1987 until 2002," begins
Curtis Chambers, longtime fan and supporter of DC ball as the
owner of All Daz Clothing Company. "Just straight killing. Every
year they'll be, like, a new dude come on the scene and they'll
be like, 'He got the crossover,' or this or that, and, 'He gonna
get Curt.' Then time will come for the big summer league games,
and Curt will finish with like 50 on that dude. Curt takes it
personal if he knows someone is supposed to get him. So Curt will
give the dude 50, and then the dude's confidence level will go
down and he'll just be a normal dude."
During
the game that just ended, a late-season battle in the Berry Farms
Goodman League between Curt's squad (MR's Great 8) and the Holie
Hole Mob, Curt showed what makes him the man without having to
do anything spectacular. Aided in an ill three-guard attack by
George Washington's Chris Monroe (the top returning scorer in
the Atlantic 10) and Virginia Tech's Brian Chase, the 8 were in
control throughout against the undermanned Mob. For the most part,
Curt ran the show and distributed the rock, but whenever the 8
needed a bucket, he'd deliver.A 5-10, 195-pound point guard, Smith
gets his buckets in workmanlike fashion. Sometimes he'll go in
the post and outmuscle his defender for position, then catch the
entry pass and back in for the layup. More often, he'll get in
the lane and deliver a teardrop -- often off the window -- that
would make Mark Jackson proud. Goodman League commish Miles Rawls,
who goes as Snapper Jonez when he's rocking the mic, said it all
as he called one second-half play. "Trouble Smith backing in,
turning, off the glass. Patented."
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In the end, the 31-year-old
Smith played the whole game, totaling about 20 points, 7 boards
and 5 assists as the Great 8 locked up a playoff berth. The fans,
many of whom lined the court in lounge chairs with beer/cup holders,
were indeed a bit subdued in the heat, but they managed to hoot
and holler every time Curt did something special with the ball.
Clearly, Curt's rep as the king of DC ball is soundly intact.
"I've given it to everybody in this city," he states. "When I'm
not the man anymore, I'll quit. But as long as I can do my thing,
I'll be out here."
One
of the Holie Holes, Jeff Arnold, chimes in at this point. "Curt
Smith brings out the best in you every time," begins Arnold in
poetic fashion. "He play big, extremely big. I seen him do it
against Steve and Moochie, take them in the block and get his
shot off with ease. The man play like he's 6-1 and with a heart
that make him 7-2. Yes he do. He can do it. This is the neighborhood,
the heart of the ghetto, and everybody here knows what Curt can
do. He brings respect to the court and they come to watch him
play and give him respect."
Being
the king of a city without a multimillion-dollar contract to verify
that you've made it big somewhere else wouldn't be worth a whole
lot to many players.But as his Chocolate City friends and opponents
make crystal clear, Curt is a different breed of baller.
Curt
grew up in Watts Branch, a neighborhood tucked in the far reaches
of Northeast Washington that makes up for the requisite inner-city
crime with plenty of communal love. Curt was not only exposed
to sports on the street, but more directly in his own family.
"My father [Charles] was in the service, so he never played ball
for nobody real, but he was always playing around the city," Curt
explains. "And my uncle on my mom's side, Fatty Taylor, grew up
in Watts also, and he made it to the League [Roland "Fatty" Taylor
averaged 8.6 ppg in seven ABA seasons and played one year in the
NBA - Ed.]. You ask the old heads in this city, they all know
about my father and uncle."
All
the heads know about Trouble's brother, too. Three years Curt's
senior, Charles Smith was the wily point guard who John Thompson
recruited to Georgetown in the mid '80s. Even post-Patrick Ewing,
Georgetown was bad-ass in those days, and Charles Smith was DC
basketball royalty. "It was pressure for me, since everything
I did was always explained like, 'Charles Smith's little brother
'"
Curt says. "But if anything, it made me work harder. I saw the
things that he was doing and I wanted to do them also."
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Curt also had a good friend
with the younger-brother complex, and it was a guy who would,
unfortunately, turn out to be a big part of Curt's link to the
tragic side of life. "Me and Jay Bias was always real good friends,
and from age 12 on, he was going through the same thing as me,"
Curt tells. "He was hearing what his brother could do, and I was
hearing what Charles could do. We liked it, though. We'd talk
about how things were gonna be when our brothers got to the League."Of
course, the Bias family's dream ended when Len died after the
'86 NBA Draft, sending the DC basketball community into what Curt
remembers as "complete shock, a shutdown." Curt and Jay Bias stayed
close in the difficult aftermath, and Jay was even looked upon
as someone who could carry Len's torch on a lower level, but he
too suffered a tragic end. Jay was shot to death in 1990 after
an argument at a local shopping mall. "When that happened, I was
hurt all over again," Curt recalls. "That's why I stay out of
trouble. I got my homies and that's it."
Curt
didn't let these tragedies slow his devotion to the sport. He
was a year-round baller through high school, playing AAU ball
for a team called Slam N Jam alongside the likes of Grant Hill
and George Lynch, summer ball at the Urban Coalition and Kenner
League tournaments and in the winter for Coolidge High. "Charles
had gone to Catholic school and that's where my mom started me,
too," says Curt. "But that wasn't my atmosphere. So I ended up
at Coolidge and played for them my last two years of high school."
In
1989, Charles was DC's college star and Curt its biggest prep
star, with younger bro earning city POY honors after averaging
25 points, 8 assists and 5 steals, then leading the local team
to victory over the US team in the Capital Classic by outplaying
Kenny Anderson. Colleges should have been desperate to sign Curt,
but all the balling and hanging with the homies had come at a
priceCurt wasn't exactly the city's top student. Even though
he chilled and stayed away from the organized scene for two years
while his brother played with the Celtics, Curt never disappeared
from summer ball, and since he had a rule of never turning down
a game, his local rep only grew.
"Every
neighborhood I'd go into, people would test me and I'd have to
play them, and that attitude was a huge help for me and anyone
who plays ball here...Then there were the pros. Probably my first
summer matchup against a big-time pro was back then, against Muggsy
[Bogues]," Curt says with a wide grin. "Muggsy from Baltimore,
and that's our big rival. I always watched him and he would just
turn it out. Knowing I was going to play him, my buddies was getting
on me, like, 'You know you can't even get the ball past halfcourt
on Muggsy.' So I'm waiting in the gym at Dunbar, and he walks
in with his entourage of Baltimore guys, his little ass right
in the middle of the pack. I stepped out with my team, and I went
at him. Back then I was pretty quick -- not as quick as him, but
quick -- and I hit a jumper over him, took him in the post a couple
of times. I ended up with 53 that night. On Muggsy."
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